Thursday, 20 May 2010
Tina K Photography
Monday, 3 May 2010
Saturday, 1 May 2010
http://elizabethangela.blogspot.com/
ELIZABETH JOHNSON (OXFORD, UK)
From fashion magazine shoots to gritty newspaper jobs, Elizabeth Johnson has found her own brand of dark and moody photography
Text by David Hellqvist | Published 20 April 2010
Elizabeth Johnson might enjoy shooting fashion, but it will never be in that glossy and commercial kind of way we're all so used to. There's an distinct eerie quality to Johnson's work, with serious, realistic and sometimes moody feelings to it. That can be explained by her earlier affiliation with newspaper photography for the likes of The Independent, Sunday Times and the BBC, all through a degree in Editorial Photography from Brighton University. Having also had work experience at more fashion focused publications, such as Vice, Amelia and Disappear Here, Johnson, 24, have found herself a unique style of photography, one that she is now busy pursuing in a freelance career. But there are other projects on the horizon as well: "Yes, I'm also working on a farm assisting with projects in animal welfare standards and will be returning to University to qualify as a veterinary surgeon. Which I am aware is not quite a normal career combination!"
Wednesday, 10 March 2010
Thursday, 4 March 2010
http://www.artscouncil.org.uk/regions/north-west/
"Artist Alison Jones has developed a reputation for powerfully interactive artwork, using natural materials to challenge our perception of the world.
Jones, whose work has exhibited alongside Damien Hirst, Anish Kapoor and Cathy de Moncheaux, specialises in large, multisensory installations like Hum, an entire room painted with honey.
‘Not only did it look interesting, I was also aware of the smell. When you first put it up it’s quite sweet and there’s an overload of sickly comfort food but as it stays up it goes off and starts to smell like urine. One person said it reminds him of getting old, so it’s what people bring to it.’ "
Date: 7 September 2009
Artform: Visual arts
Region: North West
MY COMMENT: Signed up for The Arts Council England newsletter
Wednesday, 3 March 2010
Thursday, 25 February 2010
Wednesday, 10 February 2010
this is a wrexham based photographer michelle williams whose group i joined on facebook.
Tuesday, 9 February 2010
images of people photo exhibition
email from www.artinliverpool.com
Call for Submissions - Images of People Photo Exhibition
From Bruce Smith - Images Of People Exhibition..
Venue: Carlisle Building, 61 - 69 Victoria Street, Liverpool, L1 6DE, UK
This exhibition has been set up to raise awareness for the charities bellow and to showcase photographers images that depict peoples lives reflecting ENERGY, EMOTION and FEELINGS.
There will be 3 winners in each of 3 categories, 1st, 2nd and 3rd prizes with an overall winner prize of £1000 voucher to be spent on a fashion photography master class. http://www.brucesmithphotographer.com/home.php
There will be signed copies of my book Pro Digital Fashion Photography, that will be given as prizes to the 3rd runner up in each category. I am looking for 1st and 2nd prizes from sponsors
errol morris: mr death
the glue society
GETTY IMAGES
Stuck on the Glue Society
Here are some award-winning designs from the Sydney multimedia shop that specializes in creating content that is not traditional advertising
By Helen Walters
The Glue Society was founded in Australia in 1998 by former ad agency creatives Jonathan Kneebone and Gary Freedman. Reluctant to step aside from the day-to-day business of coming up with ideas, they formed the company to focus on writing, design, and direction. The company now has offices in Sydney and New York, while their portfolio of work determinedly stretches across media to incorporate graphic design, sculpture, installations, and broadcast television alongside more traditional print and TV advertising.
Exemplified by Sydney/New York-based creative collective, the Glue Society, these companies reject both the title "agency"—and the very idea of having retained clients. They're creative-content providers, pure and simple.
Ready and able to be employed by anyone who will have them (brands, agencies, even individuals) they work solely on a project-by-project basis. There's no long-term account management, no planning, no media buying. And yet as an entity, they're able to deliver more than the individual creative types (such as photographers or directors, for instance) historically commissioned by more traditional advertising.
Put simply, the Glue Society and its ilk are teams of ad-savvy, cross-media thinkers. As such, they're free to go wherever the budgets are, and can work on a wide range of projects. In the past year alone, the Glue Society has worked on projects that have included sculpture, graphic design, Web sites and viral campaigns, traditional TV advertising, print, short films, and even— in conjunction with BBH—a 60-minute TV show which was entirely sponsored by Axe and which was broadcast on MTV (see BusinessWeek.com, 4/24/06, "Bet You Can't TiVo Past This").